Blog

Fourteen minutes, no cuts, one flat in Madrid. What a single take actually costs — and what it buys.

Bea invited us to Madrid to document her testing Aputure’s new STORM CS32 on ‘My Girl’ — daylight, practicals and sodium night exteriors, all off a domestic socket.

Stunts, SFX, VFX and a rave across four days on Renç Uran’s ‘La Grossesse’ — and why genre is the least forgiving thing to produce.

A directors workshop with Hawk London — actors, glass and a room, with nothing riding on the day.

A crane, vehicles in motion and the hottest day of the year at Longcross — a first for us at that scale.

IGNITE Your Creativity at Digbeth Loc. Studios, with National Youth Theatre and Netflix — and why access is the barrier, not talent.